If You Like Gustav Klimt, You’ll Love These Artists

Gustav Klimt, The Tree of Life,1909. Photo by Getty Images via artnet news

Feature image: Gustav Klimt, The Tree of Life, 1909. Photo by Getty Images via artnet news

If You Like Gustav Klimt, You’ll Love These Artists

Gustav Klimt’s art feels like a precious object. His portraits shimmer with gold, flowing lines, and patterns that captivate the eye. His paintings offer both intimacy and grandeur. Whether you know The Kiss or Portrait of Adele Bloch-Bauer I, you can feel the presence of beauty, emotion, and symbolism.

Klimt celebrated femininity, myth, and sensuality. His work belongs to the Art Nouveau and Symbolist movements, yet it also speaks to timeless human desires. Many other artists shared this vision. Their work offers similar textures, colors, and emotional power. Below is a curated list of artists whose styles align with Klimt’s world of ornament, elegance, and meaning.

Gustav Klimt, Pear Tree, 1903 © President and Fellows of Harvard College via Harvard Art Museums
Gustav Klimt, Pear Tree, 1903 © President and Fellows of Harvard College via Harvard Art Museums

Egon Schiele

Egon Schiele was a close friend and student of Klimt. His paintings explore the human figure with sharp lines and expressive emotion. Schiele’s nudes often appear twisted or vulnerable. He preferred raw surfaces and psychological depth over polish. Still, he shared Klimt’s fascination with sensuality and the inner life of his subjects.

Egon Schiele, Seated Woman with Bent Knee, 1917 via Wikimedia Commons/Public Domain
Egon Schiele, Seated Woman with Bent Knee, 1917 via Wikimedia Commons/Public Domain

Koloman Moser

Koloman Moser co-founded the Vienna Secession with Klimt. He worked in graphic design, stained glass, and painting. Moser’s style reflects harmony, repetition, and decorative rhythm. His art often includes geometric patterns, stylized flowers, and symbolic shapes. Like Klimt, he believed in the unity of beauty and design.

Koloman Moser, "Time of Ripening" design for a wall hanging from the portfolio "Surface Decoration," © President and Fellows of Harvard College via Harvard Art Museums
Koloman Moser, "Time of Ripening" design for a wall hanging from the portfolio "Surface Decoration," © President and Fellows of Harvard College via Harvard Art Museums

Margaret Macdonald Mackintosh

Margaret Macdonald Mackintosh played a key role in the Glasgow Style. Her panels, watercolors, and illustrations feature delicate figures surrounded by curved lines and floral motifs. Her works carry a spiritual and poetic quality. Klimt once said that Margaret Macdonald had genius. Her compositions offer a graceful alternative to gold leaf while remaining richly decorative.

Margaret Macdonald Mackintosh, The Three Perfumes. Photograph by R. H. Hensleigh via Cranbrook Art Museum
Margaret Macdonald Mackintosh, The Three Perfumes. Photograph by R. H. Hensleigh via Cranbrook Art Museum

Alphonse Mucha

Alphonse Mucha defined the Art Nouveau poster. His illustrations of women, framed by halos of flowers and decorative borders, recall the same beauty and symmetry found in Klimt’s portraits. Mucha worked in soft pastels and jewel tones. His women symbolize grace and nature. Both artists honored the feminine form as a symbol of life and art.

Alphonse Mucha, Arts Dance, 1898 via The Phillips Collection
Alphonse Mucha, Arts Dance, 1898 via The Phillips Collection

Fernand Khnopff

Fernand Khnopff painted silent, mysterious portraits. He often depicted women with dreamy expressions and distant gazes. His palette includes pale blues, whites, and silvers. Khnopff favored psychological quiet rather than intensity. His compositions focus on symbols, mirrors, and personal mythology. His work matches Klimt in atmosphere and symbolic richness.

Fernand Khnopff, Caress of the Sphinx, 1896 via Wikipedia/Public Domain
Fernand Khnopff, Caress of the Sphinx, 1896 via Wikipedia/Public Domain

Jan Toorop

Jan Toorop combined mysticism with intricate design. He often painted spiritual subjects using delicate lines and ornamented detail. His compositions show expressive gestures and flowing forms. Toorop’s art shares Klimt’s interest in the sacred, the decorative, and the visionary. He painted ideas through pattern and color.

Jan Toorop, Fatality, 1893 via Meister Drucke
Jan Toorop, Fatality, 1893 via Meister Drucke

Gustav-Adolf Mossa

Gustav-Adolf Mossa created opulent scenes filled with mythological women, symbolic objects, and flowing robes. His subjects feel powerful and otherworldly. Mossa used watercolor and ink to build richly layered images. His work reflects Klimt’s love of the female figure, ornate surfaces, and narrative depth.

Gustave-Adolphe Mossa, Encor Salomé, 1906, © ADAGP, Paris, 2022; photo by Michel Graniou via Musée des Beaux-Arts Jules Chéret, Nice
Gustave-Adolphe Mossa, Encor Salomé, 1906, © ADAGP, Paris, 2022; photo by Michel Graniou via Musée des Beaux-Arts Jules Chéret, Nice

Franz von Stuck

Franz von Stuck painted mythological figures and scenes of temptation. His female subjects often represent sin, beauty, or divine energy. He used gold and deep color to create dramatic contrasts. Klimt and von Stuck both explored the complex power of femininity through allegory and atmosphere.

Franz von Stuck, Dancers, 1896 via Wikimedia Commons/Public Domain
Franz von Stuck, Dancers, 1896 via Wikimedia Commons/Public Domain

Lila de Nobili

Lila de Nobili worked as a painter and costume designer. Her portraits, usually done in watercolor, present women in soft tones and delicate fabrics. De Nobili captured beauty through suggestion rather than detail. Her work feels light, private, and full of atmosphere. Klimt’s lovers of intimacy and surface will find her work equally rewarding.

Lila de Nobili, Costume pour Carmen via MutualArt
Lila de Nobili, Costume pour Carmen via MutualArt

Tamara de Lempicka

Tamara de Lempicka painted modern women in bold colors and smooth form. Her portraits reflect power, glamour, and control. Lempicka embraced Art Deco style with an incredible, confident energy. While her lines are sharper than Klimt’s, her subjects share the same aura of sensual strength and visual command.

Tamara de Lempicka, Young Woman in Green, 1927–1930, Centre Pompidou, Paris, purchase, 1932, inv. JP557P © 2023 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY via artnet news
Tamara de Lempicka, Young Woman in Green, 1927–1930, Centre Pompidou, Paris, purchase, 1932, inv. JP557P © 2023 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY via artnet news

Gustav Klimt’s Style in Contemporary Art

Klimt’s influence extends far beyond his time. Contemporary artists such as Kehinde Wiley and Mickalene Thomas often reference his use of pattern, pose, and ornament. Fashion designers have reimagined Klimt’s golden palette and floral patterns in textiles and runway designs. Photographers and illustrators continue to borrow from his compositions and mood.

Even film and pop culture reflect Klimt’s legacy. His style carries symbolic beauty that adapts across mediums. Many creatives continue to echo his devotion to visual richness and emotional complexity.

Gustav Klimt, The Kiss, 1907-08 via Wikipedia/Public Domain
Gustav Klimt, The Kiss, 1907-08 via Wikipedia/Public Domain

Klimt's paintings offer more than gold. They reflect care, mystery, and sensuality. The artists listed above share this vision. Each one explored beauty through ornament, symbol, or figure. Together, they form a constellation of styles that feel connected to Klimt’s artistic language.

If you are drawn to shimmering surfaces, flowing lines, and portraits that feel timeless, you will find new inspiration in their work. Klimt’s vision opened doors. These artists stepped through with grace and imagination.


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All archival images in this article are used under fair use for educational and non-commercial purposes. Proper credit has been given to photographers, archives, and original sources where known.

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