A Guide to Paul Gauguin’s Most Influential Paintings

Paul Gauguin, Parahi te Marae (The Sacred Mountain), 1892 via WikiArt/Public Domain

Feature image: Paul Gauguin, Parahi te Marae (The Sacred Mountain), 1892 via WikiArt/Public Domain

A Guide to Paul Gauguin’s Most Influential Paintings

Paul Gauguin revolutionized the language of modern art with his innovative use of bold color, symbolic content, and a quest for emotional clarity. His paintings transition from the landscapes of Brittany to the vibrant shores of Tahiti, with each environment influencing his evolving style. Gauguin's strong belief in the expressive power of color led him to create simplified forms, large planes, and strong outlines that guided viewers through psychological and spiritual ideas. These essential works showcase the complexity and ambition of an artist who shaped the development of Post Impressionism and the beginning of modern visual expression.

Paul Gauguin, Ia Orana Maria (Hail Mary), 1891 via The MET/Public Domain
Paul Gauguin, Ia Orana Maria (Hail Mary), 1891 via The MET/Public Domain

The Siesta, 1892-1894

This serene Tahitian scene offers insight into Gauguin’s fascination with everyday life. The women rest in the warm afternoon light, and the landscape appears calm; yet the composition carries a sense of stillness that feels deliberate and thoughtful. Gauguin structures the space with large shapes and subtle patterns that guide the eye from figure to figure. His use of color suggests heat, serenity, and emotional depth. The painting reveals a desire to communicate mood through structure rather than naturalistic detail.

Paul Gauguin, The Siesta, 1892–94 via The MET/Creative Commons/Public Domain
Paul Gauguin, The Siesta, 1892–94 via The MET/Creative Commons/Public Domain

Where Do We Come From, What Are We, Where Are We Going, 1897-1898

This large and ambitious painting serves as a personal reflection on the cycle of life. Gauguin created it during a difficult period and viewed it as a summation of his artistic and philosophical ideas. The composition reads from right to left, beginning with infancy and ending with old age. Each figure carries symbolic meaning and stands within a landscape shaped by deep blue shadows and sandy earth. The painting has a sense of gravity and clarity that sets it apart from his other works. It communicates a complete vision of life, thought, and spiritual inquiry.

Paul Gauguin, Where Do We Come From? What Are We? Where Are We Going?, 1897–98 via Wikipedia/Public Domain
Paul Gauguin, Where Do We Come From? What Are We? Where Are We Going?, 1897–98 via Wikipedia/Public Domain

Vision After the Sermon, Jacob Wrestling with the Angel, 1888

This Breton scene marks a turning point in Gauguin’s career. The flat red ground, bold outlines, and strong contrasts move away from natural observation. Gauguin uses color to create spiritual energy rather than real light. The group of Breton women witnesses a religious vision, and Gauguin positions the angel and Jacob in a separate, compressed space. This structure creates a dialogue between belief and imagination. The painting announces his shift toward Symbolism and his desire for a more emotional and expressive language.


Paul Gauguin, Vision After the Sermon (Jacob Wrestling with the Angel), 1888 via Wikipedia/Public Domain
Paul Gauguin, Vision After the Sermon (Jacob Wrestling with the Angel), 1888 via Wikipedia/Public Domain

Spirit of the Dead Watching, Manao tupapau, 1892

This nocturnal scene presents a young girl lying awake in a violet interior while a shadowy spirit figure observes her. The painting blends Tahitian myth with European Symbolist ideas. Gauguin uses deep purples, warm yellows, and strong contrasts to create tension. The work expresses fear, mystery, and the presence of the unseen. It also reflects Gauguin’s interest in the spiritual beliefs of Tahiti and the power of storytelling through the use of color and shadow, inviting the audience to connect with the artist's inner world.

Paul Gauguin, Spirit of the Dead Watching (Manao tupapau), 1892 via Buffalo AKG Art Museum
Paul Gauguin, Spirit of the Dead Watching (Manao tupapau), 1892 via Buffalo AKG Art Museum

Tahitian Women on the Beach, 1891

This painting reveals the calm strength that defines Gauguin’s early Tahitian works. The figures sit in a relaxed manner, framed by soft sand and clear sky. Their poses have weight and stability, and the large shapes create a sense of harmony. Gauguin uses cool blue and warm brown to build a gentle rhythm across the canvas. This work highlights his interest in sculptural figures and simplified landscapes that communicate peace and clarity.

Paul Gauguin, Tahitian Women on the Beach, 1891 via Wikipedia/Public Domain
Paul Gauguin, Tahitian Women on the Beach, 1891 via Wikipedia/Public Domain

The Yellow Christ, 1889

This painting stands at the center of Gauguin’s Symbolist period. The bright yellow figure of Christ reflects Gauguin’s belief in the expressive force of pure color. The women in Breton dress appear quiet and focused as they pray beneath the cross. The landscape sits in flat zones of green and red. Gauguin uses this structure to guide the viewer toward spiritual reflection. The scene feels grounded in local tradition yet shaped by a larger sense of the sacred.


Paul Gauguin, The Yellow Christ, 1889 via Wikipedia/Public Domain
Paul Gauguin, The Yellow Christ, 1889 via Wikipedia/Public Domain

The Green Christ, 1889

Painted around the same time as The Yellow Christ, this work carries a quieter and more contemplative tone. The figure of Christ appears carved from stone and colored in deep green. The surrounding Breton women create a circle of stillness around the sculpture. Gauguin uses the rocky landscape to frame the scene in a sense of endurance and quiet devotion. The painting demonstrates his ability to use color for emotional depth. It also reflects his interest in regional culture and spiritual ritual.


Paul Gauguin, The Green Christ, 1889 via Wikipedia/Public Domain
Paul Gauguin, The Green Christ, 1889 via Wikipedia/Public Domain

Still Life with Three Puppies, 1888

This charming still life reveals Gauguin’s desire for pattern, rhythm, and decorative structure. The puppies twist around the table in playful motion, and the fruit and bottles create a balanced composition. The painting shows the influence of Japanese prints, particularly in the flat shapes and clear outlines. It also reflects Gauguin’s early interest in scenes that express joy, curiosity, and visual harmony.


Paul Gauguin, Still Life with Three Puppies, 1888  via MoMA
Paul Gauguin, Still Life with Three Puppies, 1888 via MoMA

Fatata te Miti, By the Sea, 1892

This vibrant Tahitian scene is one of Gauguin’s most celebrated works. Two women stand at the edge of the sea, framed by turquoise water and coral pink accents. The colors are bright and expressive. The scene feels dreamlike and energetic. Gauguin’s use of strong shapes and rhythmic patterns creates a sense of movement across the canvas. The painting shaped European ideas about Tahiti and stands as a key example of his interest in emotional color.

 Paul Gauguin, Fatata te Miti (By the Sea), 1892 via National Gallery of Art
Paul Gauguin, Fatata te Miti (By the Sea), 1892 via National Gallery of Art

Day of the God, Mahana no Atua, 1894

This painting gathers many of Gauguin’s recurring themes. A central carved deity stands among dancers and reclining figures. The foreground holds bands of intense blue, red, and yellow that push the painting toward abstraction. Gauguin uses this format to explore spiritual ritual and the relationship between humans and the divine. The work feels both ancient and modern. It also shows how Gauguin influenced later developments in color field painting and abstraction.


Paul Gauguin, Day of the God (Mahana no Atua), 1894 via Art Institute of Chicago/Public Domain
Paul Gauguin, Day of the God (Mahana no Atua), 1894 via Art Institute of Chicago/Public Domain

Gauguin's legacy continues to inspire questions about vision, culture, and artistic identity. His symbolic color, simplified forms, and expressive landscapes guided viewers toward psychological and spiritual reflection. These essential paintings reveal his search for emotional truth and his belief in the power of imagination. They also show his profound influence on later artists who worked with color as a primary force, inviting the audience to appreciate his lasting impact on the art world.


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