Articles

Peter Paul Rubens, The Tiger Hunt, 1615-15 via Obelisk Art History

Samuel Reed

The Many Roles Tigers Have Played Throughout Ar...

Painters used the tiger to represent conquest, luxury, terror, and protection, each one building a version suited entirely to their own purpose.

Edward Hopper, Automat, 1927 via Gandalf’s Gallery

Rebecca Levenson

Why So Many Painters Chose to Leave the Chair E...

An empty chair has marked grief for centuries, and painters turned that instinct into one of painting's most effective portraits of absence.

Three-faced Trinity, Church of Saint Quiriace of Provins (France), mural painting (detail), 16th century via Universidad Complutense de Madrid

Rebecca Levenson

How the Trifacial Trinity Became a Forbidden Image

Long before Trinity iconography was standardized, artists painted God with three faces on one head, until the Vatican banned the imagery outright.

Paul Cézanne, The Card Players, 1890-92 via The MET/Public Domain

Margaret Allen

Card Players: Deceit, Chance, and Gambling in A...

From the Northern Renaissance to Cubism, see how deceit, chance, and gambling made card players a recurring motif across six major art movements.

Carlo Crivelli, Saint Mary Magdalene (detail), c. 1480, via The National Gallery

Eliza Warren

How Gold Ground Painting Gave Way to Painted Light

From Lorenzo Monaco's gilded Adoration to Piero della Francesca's night sky, these 15th-century paintings trace how sacred light replaced gold leaf.

Gerda Wegener, Venus and Amor, 1930 via Obelisk Art History

Samuel Reed

The Garden Paintings Art History Hasn't Talked ...

From Cranach's Eden to Carrington's alchemical garden, these paintings remake the garden as a space of desire, moral weight, and female power.

Kazimir Malevich, Rest. Society in Top Hats, 1908 via WikiArt/Public Domain

Arthur Kingsley

The Art of Gathering: Why Artists Paint Crowds ...

From religious ceremonies and weddings to picnics and luncheons, artists have long used gatherings to explore community, leisure, ritual, and connection.

Joan Miró, Person Throwing a Stone at a Bird, 1926. © 2026 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris via Museum of Modern Art.

Rebecca Levenson

Joan Miró’s Painted World of Strange Symbols & ...

Joan Miró transformed stars, birds, women, moons, and floating biomorphic forms into one of the twentieth century’s most recognizable symbolic visual languages.

Edvard Munch, Munch Sitting in the Winter Studio, ca. 1938, © Munch Museum, Oslo via SFMOMA

Rebecca Levenson

Munch’s Metabolism: The Cycle of Life, Love, an...

Munch’s work unfolds through recurring motifs of love, illness, and death, where metabolism structures a continuous cycle of human experience.

Marc Chagall, Le Cirque (one plate), © ADAGP, Paris and DACS, London, via Christie’s

Rebecca Levenson

Marc Chagall’s Greatest Motifs & What They Real...

Explore Marc Chagall’s recurring motifs, tracing their origins, evolution, and symbolic meaning across his life, career, and body of work.